![]() ![]() It´s not complicated, just needs a bit of attention. ![]() I enclose a link to the pinouts and also to a diagram showing where stuff needs to be plugged. If you have both an Omni and an AVID I/O, choose one of the converters to output the regular PT buss (stereo or 5.1) and connect it on the Xmon respective Dsubs connectors. You need a breakout cable with Dsub to female xlr´s to connect the male xlr´s of the BM outputs. If you use the BM card outs 12&13 to output the MAC audio, you need to connect it to one of the 3 Stereo inputs available on the Dsub 25 pin on the rear of the Xmon. The cable must follow the exact pinouts as described on your D Command guide, otherwise it will be messed up. 1 04-17-2017, 05:50 PM sjtae Member Join Date: May 2012 Location: South Korea Posts: 12 96I/O, XMON, D-command connection Hi guys, I am using PT HD9, connected with 96 I/O, XMON and D-command. What type of breakout cable are you using to connect your MAC outs (via BM outs) to the Xmon stereo inputs? It seems that the problem lies there. You connect the gear and that´s it, all operations take place on the surface. There´s no app or control panel for Xmon. Is there any possibility to make this problem because of it? But I cannot figure out with D-command manual. I heard that I can use D-command without XMON as monitor controller. Recently, the XMON makes Hiss noise too much so I need to find other options to work for a while. I have same audio out for left or right even centre.Īlso I have HD native card and omni in my system as well. I am using PT HD9, connected with 96 I/O, XMON and D-command. The latest versions of the TMC-1 use a 15pin HD ‘D’connector for the. The original TMC-1 used a 15 pin D connector and a games cable which is no longer available. C o n n e c t t i i n g t t h e T M C -1 t t o. The input is unbalanced with two ground returns. ![]() Is there any software to control Xmon like avid coreaudio manager?Īnd also on sound option in system preferences of my mac, balance for control BM pan does't work any more. The headphone jack is connected directly to the 15 pin 'XMon' connector. It works but for all of them its mono and I have to push Stereo 2 or 3 on icon. I check BM 12 and 13 audio out by connected each other to for example ST 3 or 4 or 5 on xmon Lastly, check if you don´t have the Mono button pressed on the D Command by accident With XMON, operators can monitor separate, simultaneous 6-channel mixes (mono to 5. It should work fine, where I work we have the BM Decklink Studio outs 12&13 connected to the D Command stereo in1 as you´re doing. XMON Monitoring To monitor projects, D-Command includes the XMON remote, rack-mounted, analog monitor and communications system. Not sure what audio you are using the BM outs for, but whether it´s the desktop video app audio outs or your computer audio outs, check both settings on the respective interfaces. Are you connecting the BM outs to the right pair of inputs on the DB25 stereo ins on the Xmon?Eg. If both channels output, then the problem is at the breakout cable that connects to the XMon. With XMON, operators can monitor separate, simultaneous 6-channel mixes (mono to 5.1 surround) as well as three external stereo sources.Ĭall or mail us for a demo in our showroom.If you only have the right channel, switch it on the BM outs to check if it´s the breakout cable on the BM. To monitor projects, D-Command includes the XMON remote, rack-mounted, analog monitor and communications system. Operators can customize fader controls and create custom track groups independent of how tracks are set up within Pro Tools. Dedicated EQ and dynamics editing panels, a monitoring section, and other commonly accessed controls are all within easy reach. D-Command’s intuitive console layout includes a centralized Main Unit for fast access to essential functions. The ergonomic design of D-Command enables control through the channel strips and includes LCD display, LED ring, and bar-graph meters for visual feedback. Each channel strip features a touch-sensitive motorized fader, two multi-purpose rotary encoders, and multiple pushbuttons for quick access to key session parameters. 18V phantom power for the Talkback 2 Mic that connects via the DB-25 connector. With D-Command, you have hands-on command over every aspect of a Pro Tools project, including recording, editing, mixing, and processing – with integrated video and delivery – from a relatively small, but expandable, worksurface.Įquipped with eight channel faders, D-Command is expandable to 24 faders by adding a single 16-channel Fader Module. To learn how to use XMON with Avid D-Control or D-Command work surfaces. As with the flagship large-format ICON D-Control console, D-Command utilizes Pro Tools|HD Accel as its DSP mix engine and Pro Tools|HD interfaces and peripherals for system I/O. The Digidesign D-Command tactile worksurface is the newest member of the ICON family. ![]()
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